Jumat, 18 Maret 2011

Free PDF The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai

Free PDF The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai

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The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai

The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai


The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai


Free PDF The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai

Learning is a process that will certainly be gone through by all individuals in every age. In this case, we have constantly the books that must be gathered and also read. The Bill: For Palma Vecchio, At Venice (The Art Monographs)By László Krasznahorkai is one of guides that we always suggest for you in discovering. This is the method just how you discover related to the topic. When you have the existence of the books, you have to see just how this publication is really recommended.

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It's no any kind of mistakes when others with their phone on their hand, as well as you're too. The distinction could last on the material to open The Bill: For Palma Vecchio, At Venice (The Art Monographs)By László Krasznahorkai When others open the phone for talking and talking all things, you could sometimes open up as well as check out the soft data of the The Bill: For Palma Vecchio, At Venice (The Art Monographs)By László Krasznahorkai Naturally, it's unless your phone is offered. You could likewise make or wait in your laptop or computer that eases you to review The Bill: For Palma Vecchio, At Venice (The Art Monographs)By László Krasznahorkai.

The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai

In The Bill, László Krasznahorkai’s madly lucid voice pours forth in a single, vertiginous, eleven-page sentence addressing Palma Vecchio, a sixteenth-century Venetian painter. Peering out from the pages are Vecchio’s voluptuous, bare-breasted blondes, a succession of models transformed on the canvas into portraits of apprehensive sexuality. Alongside these women, the writer that Susan Sontag called “the Hungarian master of apocalypse” interrogates Vecchio’s gift: Why does he do it? How does he do it? And why are these models so afraid of him even though he, unlike most of his contemporaries, never touches them? The text engages with the art, asking questions only the paintings can answer. “László Krasznahorkai’s taut, almost explosive texts resemble prose poems more than short stories or conventional novella chapters, though they do not pretend to lyricism.”—Nation

  • Amazon Sales Rank: #1432417 in Books
  • Brand: imusti
  • Published on: 2013-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .20" w x 6.50" l, .20 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Sylph Editions

Review “A writer whose characters often exhibit a claustrophobic interiority. . . Krasznahorkai delights in unorthodox description; no object is too insignificant for his worrying gaze. . . . He offers us stories that are relentlessly generative and defiantly irresolvable. They are haunting, pleasantly weird and, ultimately, bigger than the worlds they inhabit.” (Jacob Silverman New York Times)“The Bill features one glorious, eleven-page spanning sentence about the Venetian painter Palma Vecchio. . . . The book itself spans thirty-two pages, and since it’s a very beautiful Sylph Edition, it includes twelve stunning color plates that serve to enhance Krasznahorkai’s complex, clever use of language.” (Typographical Era)“László Krasznahorkai is a Hungarian writer whose long and dense works are abundantly furnished with allusions and experiences drawn from the author’s exposure to many cultures through reading or travel. The worldview presented stems from a long, painful, at times bloody national history, and from a particular linguistic context. . . . With The Bill readers in English can get a view of the vast Krasznahorkai forest that teems with the at times disturbing life forms that populate it. As we head into the months of leisurely summer reading, those looking for rich works might think about the somewhat new phenomenon of slow reading, and choose to walk slowly through the unfolding landscape of translated books by László Krasznahorkai.” (Winnipeg Review)

About the Author László Krasznahorkai is a Hungarian writer living in Berlin. Three of his works have been made into award-winning films by the renowned filmmaker Béla Tarr: Werckmeister Harmonies, Satantango, and The Horse from Turin. He has written seven novels and numerous other works, including Animalinside, also available from Sylph Editions. George Szirtes is an award-winning poet and one of the world’s best known translators from Hungarian. Palma Vecchio (c.1480–1528) was an Italian painter of the Venetian school. Famous works by Palma include a composition of six paintings in the Venetian church of Santa Maria Formosa and Three Graces.

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The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai PDF

The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai PDF

The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai PDF
The Bill: For Palma Vecchio, at Venice (The Art Monographs)By László Krasznahorkai PDF

Jumat, 04 Maret 2011

Free PDF The Dogs I Have Kissed

Free PDF The Dogs I Have Kissed

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The Dogs I Have Kissed

The Dogs I Have Kissed


The Dogs I Have Kissed


Free PDF The Dogs I Have Kissed

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The Dogs I Have Kissed

Product details

Paperback: 90 pages

Publisher: CreateSpace Independent Publishing Platform; 2 edition (June 24, 2015)

Language: English

ISBN-10: 1514287315

ISBN-13: 978-1514287316

Product Dimensions:

5.5 x 0.2 x 8.5 inches

Shipping Weight: 5.9 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

61 customer reviews

Amazon Best Sellers Rank:

#106,248 in Books (See Top 100 in Books)

I feel really conflicted about this book. On the one hand, I've wanted to read it since around the time it came out, and I enjoyed a lot of it. But, on the other hand, I felt like it got repetitive and started losing my interest after a while. I remember buying it after reading the Kindle sample and liking what I read, and I added bookmarks to quite a few of the poems because I related to something about them. But, overall, I just didn't connect to the majority of the poems or feel much about them. They weren't bad, they just weren't for me, and I honestly think it was me and not this book that was the reason I didn't love it as much as I'd hoped to.This was good, and I'll definitely revisit some of it in the future and I'll probably continue to buy and read Trista Mateer's books, because I like her style and there are some really great lines in this collection.

Trista Mateer is a master of her craft. It's not often I come across poetry that moves and resonates as deeply as hers does

There is nothing pretentious or hoity-toity about these works. Just honest. Not fragmented or full of broken vignettes that are strung together like shabby chic party banners. No, there is a narrative and the poet is saying something cohesive. This is more like slam than a Brooklyn bookstore poetry reading.Perhaps I'm biased, because her poetry is like my poetry and she used the word saccharine and I'm attracted to so many highlighted passages. Maybe I only like it because it made me want to write again.

I loved this book , a must buy in my opinion !!

my favorite poetry book i've read so far. tugged at my heart strings immensely. trista mateer is wonderful at what she does. thank you for being such an inspiration to me.

I know myself better from reading you. This book of poems is absolutely captivating. I haven't read anything this moving.

A lovely book. made for such a good gift for my 19 year old daughter.

Lovely, beautiful and provocative.

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The Dogs I Have Kissed PDF
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